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c. Up to 300 proportional, fully overlapping additive, effect or inhibitive submasters may
be defined. Submasters shall have colored LEDs to indicate submaster status. Each
submaster may have fade up, dwell and down fade times. Each has a bump and
assert/channel select button. Submasters may be set to independent, exclusive, shielded
and proportional/intensity master control.
d. The submaster blind buffer shall be linked directly to live playback allowing live editing
of live submaster content via the command line.
e. It shall be possible to set submaster values directly from the command line.
f. Up to 200 cue lists may be active concurrently.
4. Grand Master
a. A dedicated grand master and blackout button are provided.
b. The grand master shall proportionally fade intensity values to zero. Blackout shall
send all intensity outputs to zero. Non-intensity outputs shall not be affected. No additional
configuration shall be required to withhold non-intensity values from Grand Master and
Blackout control.
C. Display Controls
1. Format shall change the view of selected displays.
2. It shall be possible for the user to choose which parameter categories or parameters (s)he
wishes to display.
3. Flexichannel shall change which channels are viewed in selected displays, as follows:
a. All channels
b. Patched channels
c. Show channels
d. Active/Moved channels
e. Selected channels
f. Manual Channels
g. View channels (user identified list)
h. Channels with discrete timing
4. Expand shall extend the selected view sequentially across connected displays, vertically or
horizontally.
5. [Time] depressed shall display discrete timing data. [Data] depressed shall display absolute
values of referenced data.
6. User definable magic sheets shall provide alternative display of and access to channels and
record targets. Multiple magic sheets may be created.
7. Playback status displays are provided with a variety of different formats. Indications are
provided per cue for live moves (lights fading from zero and also moving non-intensity parameters)
and dark moves (inactive lights which have stored non-intensity parameter moves).
D. Operating Modes
1. Live Mode
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